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  • Collected Stories

    (By Raymond Carver)

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    Author Raymond Carver
    “Book Descriptions: Raymond Carver’s spare dramas of loneliness, despair, and troubled relationships breathed new life into the American short story of the 1970s and ’80s. In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivations. Beneath his pared-down surfaces run disturbing, violent undercurrents. Suggestive rather than explicit, and seeming all the more powerful for what is left unsaid, Carver’s stories were held up as exemplars of a new school in American fiction known as minimalism or “dirty realism,” a movement whose wide influence continues to this day. Carver’s stories were brilliant in their detachment and use of the oblique, ambiguous gesture, yet there were signs of a different sort of sensibility at work. In books such as Cathedral and the later tales included in the collected stories volume Where I’m Calling From, Carver revealed himself to be a more expansive writer than in the earlier published books, displaying Chekhovian sympathies toward his characters and relying less on elliptical effects.

    In gathering all of Carver’s stories, including early sketches and posthumously discovered works, The Library of America’s Collected Stories provides a comprehensive overview of Carver’s career as we have come to know it: the promise of Will You Please Be Quiet, Please? and the breakthrough of What We Talk About, on through the departures taken in Cathedral and the pathos of the late stories. But it also prompts a fresh consideration of Carver by presenting Beginners, an edition of the manuscript of What We Talk About When We Talk About Love that Carver submitted to Gordon Lish, his editor and a crucial influence on his development. Lish’s editing was so extensive that at one point Carver wrote him an anguished letter asking him not to publish the book; now, for the first time, readers can read both the manuscript and published versions of the collection that established Carver as a major American writer. Offering a fascinating window into the complex, fraught relationship between writer and editor, Beginners expands our sense of Carver and is essential reading for anyone who cares about his achievement.

    Contents--
    What We Talk About When We Talk About Love
    Why Don’t You Dance?
    Viewfinder
    Mr. Coffee and Mr. Fixit
    Gazebo
    I Could See the Smallest Things
    Sacks
    The Bath
    Tell the Women We’re Going
    After the Denim
    So Much Water So Close to Home
    The Third Thing That Killed My Father Off
    A Serious Talk
    The Calm
    Popular Mechanics
    Everything Stuck to Him
    What We Talk About When We Talk About Love
    One More Thing

    Stories from Fires
    The Lie
    The Cabin
    Harry’s Death
    The Pheasant

    Cathedral
    Feathers
    Chef’s House
    Preservation
    The Compartment
    A Small, Good Thing
    Vitamins
    Careful
    Where I’m Calling From
    The Train
    Fever
    The Bridle
    Cathedral

    From Where I’m Calling From
    Boxes
    Whoever Was Using This Bed
    Intimacy
    Menudo
    Elephant
    Blackbird Pie
    Errand

    Other Fiction
    The Hair
    The Aficionados
    Poseidon and Company
    Bright Red Apples
    From The Augustine Notebooks
    Kindling
    What Would You Like to See?
    Dreams
    Vandals
    Call If You Need Me

    Selected Essays
    My Father’s Life
    On Writing
    Fires
    Author’s Note to Where I’m Calling From

    Beginners (The Manuscript Version of What We Talk About When We Talk About Love)
    Why Don’t You Dance?
    Viewfinder
    Where Is Everyone?
    Gazebo
    Want to See Something?
    The Fling
    A Small, Good Thing
    Tell the Women We’re Going
    If It Please You
    So Much Water So Close to Home
    Dummy
    Pie
    The Calm
    Mine
    Distance
    Beginners
    One More Thing

    --loa.org”

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